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Detroit opera house phantom
Detroit opera house phantom












It has to be something that’s present when you walk on stage. And there’s the human element, because the Phantom is definitely a person - just a very intense and misunderstood person. Hal Prince, the original director, said it takes a man at least six months before he can say that he is the Phantom During that time you have to become more and more aware of the magnanimousness, the grandeur, the bigness. * The key to being convincing as the Phantom, according to Oliver, is “an honest, intensity and a magnetism. There are so many actors of color who have done it…” Robert Guilliaume was the first to do it in Vegas and the first African-American to do it in general.

detroit opera house phantom

Norm Lewis, the first African-American to do it on Broadway, is a great actor. “I feel like I’m following in the footsteps of a lot of great men, both of color and not of color. 28, says that it’s also rewarding to be among the ranks of the black actors who have played the Phantom. It’s fun as a musician to discover new, intricate details, even after spending a lot of time with a role.” There’s so much passion in it, so much to find every day. “Andrew Lloyd Webber’s music is really great. * Oliver says that “Phantom” has been a show that offers new revelations each time he performs it. He’s made plenty of music of the night, but “Phantom,” he says, is one of his favorites…

detroit opera house phantom

The southern California native comes to the role with a strong resume of his own in both opera and theater, including roles in “Porgy and Bess,” “Carmen,” “La Boheme” and more. Quentin Oliver of the current North American road company is a little over a year into his tenure as the Phantom.

detroit opera house phantom

#Detroit opera house phantom movie#

The Phantom himself, meanwhile, has been played by luminaries such as Michael Crawford (who won a Tony) and Colm Wilkinson, Gerard Butler in the 2004 movie and even Kiss’s Paul Stanley. Of all the iconic roles in musical theater, being “The Phantom of the Opera” may be the most intimidating.įor starters the piece is one of Andrew Lloyd Webber’s most successful productions, with seven Tony Awards for the original Broadway production.












Detroit opera house phantom